MiniMax Music 3.0: Next-Generation Open-Weights, Production-Ready & Versatile Music Model

MiniMax Music 3.0Music GenerationOpen Weights

Today, we are introducing MiniMax Music 3.0, our next-generation music generation model. Given a creative concept and optional lyrics, the model composes, arranges, performs, and produces a complete song in a single generation.

Music 3.0 focuses on the aspects of music creation that are hardest to capture with a simple prompt: understanding the creator’s expressive intent; sustaining that intent across a complete song of up to five minutes; rendering instruments with clarity and physical realism; and generating vocals that sound performed rather than synthesized.

To achieve this, we redesigned the entire generation pipeline—from music description and language modeling to audio rendering. Fine-grained temporal descriptions capture the evolution of emotion, instrumentation, and vocal delivery. A global–local Hybrid-LM jointly models long-range structure and acoustic detail. Multi-layer residual vector quantization (RVQ), hidden-state fusion, flow matching, and a Flow-VAE further improve output fidelity. Together, these advances deliver three major upgrades: more accurate interpretation of creative intent, more complete and varied arrangements, and clearer, more natural sound.

Music 3.0: Technical Architecture

Music 3.0 comprises three interconnected core components: the tokenizer, the Hybrid-LM, and the synthesis stack. They address, respectively, how musical information is represented, how long-range structure and local detail are modeled, and how audio is reconstructed at high fidelity. The complete workflow is shown below.

MiniMax Music 3.0 technical architecture
MiniMax Music 3.0 technical architecture

Multi-Layer RVQ: Separating Core Structure from Acoustic Detail

An eight-layer RVQ represents musical information hierarchically. The first layer captures core semantics and structure, while the remaining seven progressively encode acoustic residuals. In staged training, the first layer first learns a stable information backbone; all codebooks are then trained jointly to model fine-grained sound. This design provides a more stable discrete representation for long-sequence prediction and avoids overloading a single token layer with both structural and fidelity-related information.

Hybrid-LM: Joint Modeling of Global Structure and Local Acoustics

The 8B Global LLM is initialized from Qwen3.5-8B and performs frame-by-frame prediction of semantic tokens while modeling global context. A randomly initialized 0.6B Local LLM predicts within-frame acoustic tokens along the depth axis. Training proceeds in two stages: global alignment first establishes the Global LLM’s ability to predict musical semantics, followed by full-parameter joint training of the global and local models. This hierarchical collaboration enables the model to preserve song-level structural stability while resolving acoustic detail within each frame.

Hidden-State Fusion: From Discrete Prediction to Continuous Audio Rendering

Conventional systems typically feed discrete acoustic tokens directly into a decoder. Music 3.0 instead fuses continuous hidden states from the Global LLM and Local LLM and uses them to condition a 2.4B flow-matching module. A 123M Flow-VAE then decodes the audio. The complete path is:

Fused LLM features → Flow matching → VAE hidden states → Flow-VAE decoder → Final audio

This design directly connects the language model’s structural understanding with the acoustic model’s audio reconstruction through continuous representations. It preserves long-range consistency while improving pronunciation accuracy, instrumental coherence, and fine-detail fidelity.。

用户prompt

歌词

Demo

Classic Shanghai jazz / soul with gentle lo-fi warmth. Tender, nostalgic verses unfold into a softly radiant chorus, led by an intimate female vocal with restrained phrasing, supported by mellow piano, upright bass, brushed drums, warm brass accents, and a vintage room-like mix.

[Verse 1]
信封带着阳光味,
角边微卷,像在笑。
我拆得慢,怕太快,
把好梦抖落了。

[Verse 2]
字迹软得像云絮,
写:“近来可安好?”
没大事,没长句,
却让我眼眶忽地潮。

[Chorus]
信里有晴,
落在掌心不响。
可整日房间,
都亮得像在唱。
我不藏它,不裱它,
只轻轻,
压在茶杯下——
让暖,慢慢,
泡进日子的茶。

[Verse 3]
窗外雨还在下,
可我心里晴了。
因你记得问一句,
“花开了吗?”

[Chorus]
信里有晴,
不炫,不嚷,不张。
却让我——
把昨日的灰,
折成纸船,
放向有你的光。

[Bridge]

[Final Chorus]
信里有晴,
是我小小的天。
若世界偶有寒霜,
我就读一遍——
那句“安好”,
如何,
把我的心,
轻轻,
哄成春天。

[Outro]
信旧了,
字淡了,
可晴……
还在。

Futuristic melodic EDM / progressive house. Reflective verses about memory and digital identity build into an uplifting, hook-driven chorus, with an emotive lead vocal, bright layered synths, pulsing bass, crisp four-on-the-floor drums, subtle glitch textures, and a wide polished festival mix.

[Verse 1]
Upload my heart to the cloud tonight
Save every spark of neon light
If this body starts to fade away
Let my code keep dancing in the data stream
Stay
[Chorus]
Cloud copy of me
Living on when these bones finally break free
Every joke, every scar
Every cheap memory we made
Save it, save it
Cloud copy of me
If the screen goes dark, I’m still in the machine
Every glitch, every dream
Every version you ever did see
Save it, save it
[Verse 2]
Tag every laugh in a secret folder
Archive the nights we outran the thunder
If the wiring turns to rust and gray
Hit restore… press replay
[Chorus]
Cloud copy of me
Living on when these bones finally break free
Every joke, every scar
Every cheap memory we made
Save it, save it
Cloud copy of me
If the screen goes dark, I’m still in the machine
Every glitch, every dream
Every version you ever did see
Save it, save it (oh)
[Bridge]
Even the crashes, the late-night confessions
The parts of me I never learned to mention
Don’t let the silence swallow me whole
Keep a ghost in the glow…
So I never go
[Final Chorus]
Cloud copy of me
Still laughing somewhere in the binary
Every joke, every scar
Every moment you saved for me
Save it, save it
Cloud copy of me
When the lights go out, I’ll still be in the machine
Dancing in the code that you still believe
Save it…
Save me

Progressive house / EDM, 126 BPM, B-flat major. Reflective and nostalgic verses rise into a cathartic, euphoric chorus, with a smooth breathy male tenor, pulsing side-chained synths, punchy club bass, crisp drums, and wide hall reverb.

[Verse 1]
I wish I’d called you back that night
Not stared so long at my own pride
I wish I’d said what scared me most
Instead of turning into smoke

[Chorus]
I wish you were here
Right now
Right here
Laughing at my bad ideas
Spilling secrets in my ear
I wish you were here
Right now
This year
Every little thing I do
Keeps circling back to you

[Verse 2]
I wish I’d learned to let things go
To lose an argument
Not you though
I wish I’d held you in that storm
Not tried to tough it out alone

[Chorus]
I wish you were here
Right now
Right here
Laughing at my bad ideas
Spilling secrets in my ear
I wish you were here
Right now
This year
Every little thing I do
Keeps circling back to you

[Bridge]
I wish on traffic lights
On receipts and license plates
On every almost-kind-of sign
That says it’s not too late

[Chorus]
I wish you were here
Right now
Right here
Tracing circles on my sleeve
Saying what you really mean
I wish you were here
Right now
This year
Every little thing I do
Keeps circling back to you

Bright power pop / pop rock, 112 BPM, E-flat major. Nostalgic, bittersweet verses burst into cathartic choruses, led by a clear female mezzo-soprano with soaring octave hooks, punchy drums, wide layered guitars, subtle synths, and a polished modern mix.

(Verse 1)
We were the kind who never stayed in one place,
Running through the city with the wind in our face.
Trading every secret like a currency of trust,
Didn’t know the moment when it started turning dust.

(Pre-Chorus)
I still scroll back just to see your name,
But the messages feel like another game.

(Chorus)
Forever friends – we promised it one day,
And we haven’t seen each other since the following day.
Guess forever’s quicker than we thought it’d be,
Faded like a sticker on a teenage diary.
Yeah, we said we’d never change… but life got in the way.

(Verse 2)
Now you’re a highlight in a story I outgrew,
A blurry little moment in a world that was new.
Funny how the rhythm doesn’t hit the same beat,
When the people that you dance with walk off down another street.

(Pre-Chorus)
I could call you up, but what would I say?
“Hey, remember us?”—it feels too far away.

(Chorus)
Forever friends – we promised it one day,
And we haven’t seen each other since the following day.
Guess forever’s quicker than we thought it’d be,
Faded like a sticker on a teenage diary.
Yeah, we said we’d never change… but life got in the way.

(Bridge)
Maybe we just ran out of the same headline,
And maybe that’s okay — stories shift over time.
Still I hope you’re smiling somewhere out there tonight,
Living loud, living free, living your own life.

(Final Chorus)
Forever friends – we promised it one day,
And we haven’t seen each other since the following day.
But the beat keeps moving and I’ll be okay,
Even if our forever only lasted one day.

Understanding Creative Intent

AI-generated music can sound like a complete song and still drift away from the original brief. Specified instruments may gradually disappear from the arrangement, the intended emotional character may weaken as the song develops, and a requested vocal style may appear in only one section instead of remaining coherent throughout the piece.

Music 3.0 introduces a more expressive music-description framework. Rather than summarizing an entire piece with a single global label, it uses Structured Captions to describe music at fine temporal granularity. These captions specify genre, tempo, time signature, key, use case, and production character, while also tracking emotional contour; the entry and exit of primary and supporting instruments; the development of groove and low-end energy; and section-level changes in vocal delivery, harmony, and vocal effects.

These descriptions convert subjective listening impressions into a professional arrangement framework that the model can learn and execute. As a result, the model can translate creative language into concrete musical expression more accurately, maintain a coherent musical identity as the song unfolds, and still introduce the necessary dynamic variation.

To make professional music creation more accessible, we also developed a template-based Prompt Enhancement System. It selects appropriate language from a curated library of Structured Caption templates and applies established musical terminology and arrangement principles to expand a simple user description into a detailed, musically coherent instruction. Creators can therefore exercise precise control without mastering specialist vocabulary—whether they want an intimate, restrained unplugged performance; a late-night R&B track driven by rolling hi-hats and deep 808 bass; or a cinematic instrumental that grows from introspection to large-scale intensity.

用户prompt

歌词

Demo

Warm Mandarin pop / traditional Chinese ballad, 74 BPM, A-flat major. Tender nostalgia opens into a celebratory chorus, with a mature male baritone-tenor, delicate guzheng, soft strings, gentle acoustic textures, expressive vibrato, and a natural live-room sound.

[Verse]
屋檐下青苔长
木窗边月影扬
炊烟升起 炉火温暖
笑声穿过院墙

[Chorus]
岁月如歌 歌声悠长
我们牵手走过风霜
孩子长大 家庭满堂
一壶茶温暖了心房

[Verse 2]
摇椅轻晃夕阳下
旧相册笑容如花
指尖缝补 记忆缝扎
每道皱纹藏着回答

[Prechorus]
是谁说流年太快
白发换来心如海

[Chorus]
岁月如歌 歌声悠长
我们牵手走过风霜
孩子长大 家庭满堂
一壶茶温暖了心房

[Bridge]
庭前树影摇曳成画
月下竹影诉说牵挂
人间烟火 平淡无瑕
岁月留香在心底发芽

Anthemic stadium pop rock, 132 BPM, E major. Airy, buoyant verses build into an adrenaline-filled chorus, with a powerful female mezzo-soprano, soaring octave hooks, driving drums, wide guitars, shimmering ambience, and a brief weightless bridge.

[Verse]
Up in the sky I feel alive
Wind in my hair feel the dive
Hold my breath I see the ground
Heart is racing no turning around

[Verse 2]
Jump into the blue without a fear
Clouds are whispering you’re near
Open wide let the colors show
Parachute flyin\' high in the glow

[Chorus]
Falling free just you and me
Parachute spread like wings we see
Touch the earth we\'re born anew
In the sky I found the truth

[Bridge]
Weightless moments pure delight
Riding currents day and night
Just a canvas in the air
Painting dreams without a care

[Chorus]
Falling free just you and me
Parachute spread like wings we see
Touch the earth we\'re born anew
In the sky I found the truth

[Outro]
Safe landing coming in
Start again where dreams begin
Parachute my safety net
Sky’s the limit no regrets

Baroque pop / emo rock, 162 BPM, E-flat minor. A stately, mournful opening drives toward a regal wall-of-sound finale, with a gritty theatrical male baritenor, orchestral strings, harpsichord, distorted guitars, aggressive drums, and a defiant breakdown.

[Verse]
Accept your share of suffering 
as a soldier of Jesus our King
Soldiers don’t aimlessly wander
They work to please their officer

Athletes in the competition
Don’t make up rules as their goin\'
The farmer who works hard sowing
Should have first share of the reaping

[Pre-Chorus]
Think about what I am sayin\'
God will give you understandin\'

[Chorus]
Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

[Verse]
Accept your share of suffering 
as a soldier of Jesus our King
Soldiers don’t aimlessly wander
They work to please their officer

Athletes in the competition
Don’t make up rules as their goin\'
The farmer who works hard sowing
Should have first share of the reaping

[Pre-Chorus]
Think about what I am sayin\'
God will give you understandin\'

[Chorus]
Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

[Bridge]
The gospel truth of Jesus
The descendant of David
Who\'s died and resurrected
For which I am in chains

The gospel truth of Jesus
The descendant of David
Who\'s died and resurrected
It cannot be contained

They can put me in prison
BUT THE GOSPEL CAN\'T BE CHAINED!

[Breakdown to drums-Chorus]
Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

[All in Chorus]
Be strong in the grace of Jesus.
The sound teachings you have witnessed
Entrust to ones who will teach well
Not just look out for themselves

More Complete, More Varied Arrangements

The challenge of long-form song generation is not merely generating for a longer duration; it is creating a credible progression across sections. Emotion must build and resolve, instruments must enter, layer, and recede at the right moments, and verses, choruses, bridges, and instrumental passages must all serve a unified direction.

Music 3.0 addresses this challenge at two levels. First, section tags in the lyrics—such as [intro], [verse], [pre-chorus], [chorus], [bridge], [instrumental], [solo], and [outro]—define the song’s macrostructure. Second, the Structured Caption specifies the emotional development, instrumentation changes, vocal delivery, rhythmic foundation, ornamental timbres, and spatial effects at each stage, turning what changes, and where, into an explicit generation condition.

At the model level, Music 3.0 uses a global–local collaborative Hybrid-LM. The 8B Global LLM predicts core semantic and structural tokens frame by frame and maintains full-song context. The 0.6B Local LLM predicts acoustic tokens along the depth axis within each frame, supplying local sonic detail. This division of responsibilities maintains temporal stability across songs of up to five minutes while preserving rich variation within individual sections.

用户prompt

歌词

Demo

Uplifting progressive house / EDM, 126 BPM, A-flat major. Focused inspiration grows into a euphoric climax, with a warm slightly gravelly male tenor, soaring pentatonic hooks, punchy club drums, controlled bass, bright synths, and a polished panoramic mix.

(Verse 1)
I grab my pen, heart starts to race,
Time to escape, to claim my space.
Each stroke of ink breathes life anew,
Worlds awaken where dreams come true.
(Chorus)
I’m weaving tales untold, characters bold,
Adventures unfold in colors and gold.
Through ink and paper, I carve my way,
In this realm of wonder, forever I stay.
(Verse 2)
From the shadows of mind, stories ignite,
Panels bloom under late-night light.
Lines and curves carry all my soul,
Where impossible dreams find control.
(Chorus)
I’m weaving tales untold, characters bold,
Adventures unfold in colors and gold.
Through ink and paper, I carve my way,
In this realm of wonder, forever I stay.
(Bridge)
Every stroke sparks a rush inside,
Bringing visions I can’t hide.
In this endless sea of creation,
I chase the thrill, my true salvation.
(Chorus – with lift)
I’m weaving tales untold, characters bold,
Adventures explode in stories retold.
Through ink and paper, I find my fire,
In imagination’s glow, I never tire.
(Outro)
So I’ll keep creating, with passion so free,
This world of my making is where I belong—me.
Pen in hand, heart open wide,
In stories forever, my spirit will ride.

Upbeat funk / nu-disco, 112 BPM, E-flat major. Confident, strutting and celebratory, with a smooth soulful male tenor, playful staccato phrasing, falsetto flips, snappy drums, elastic bass, rhythmic guitar, glossy keys, and a wide dance-floor mix.

[Verse 1]
I\'m feeling like a million bucks today
Nothing\'s gonna stand in my way
The sun is shining and the sky is blue
I\'ve got a feeling that I\'m gonna make it through

[Chorus]
Oh oh oh, I\'m on top of the world
Oh oh oh, I\'m on top of the world
Nothing can stop me now
I\'m reaching for the stars and I\'m never coming down

Dark E-punk hip-hop / industrial rap, 108 BPM, B-flat minor. Ominous sermon-like tension turns into club-ready catharsis, with a gravelly male tenor blending aggressive rap, punk shouting and haunting chants over distorted electronics, hard drums, and saturated bass.

[Hook]
I\'ve been having revelations
Repenting for my sins
In attempt to make amends 
Before the end begins
Lord knows that we\'re holy
But only god can win
Prophecy fulfilling slowly 
Before the end begins 

[Verse]
Jesus came to save us
He died so we could live
So his will could carry on 
Before the end begins
And god he sent his only son
To bear the weight of what we\'ve done
Our evil deeds must weigh a ton.
(Somewhere the end has just begun)...

[Instrumental dance bridge]
Uuuuuuuuun
Just
Beguuuuuuu
Uuuuuuuuun

[Hook]
I\'ve been having revelations
Repenting for my sins
In attempt to make amends 
Before the end begins
Lord knows that we\'re holy
But only god can win
Prophecy fulfilling slowly 
Before the end begins

Advancing Audio Quality

Compelling composition requires equally convincing sound. Music 3.0 delivers a substantial improvement in audio quality, producing mixes that are more open, clear, and balanced, with less congestion and muddiness.

Audio modeling begins with multi-layer residual vector quantization (RVQ). The first layer uses a 16,384-entry codebook dedicated to the music’s core semantics and structure. Layers 2–8 each use a 1,024-entry codebook and progressively encode residual acoustic detail. During training, we first train the initial layer independently so that it captures core information as comprehensively as possible; all eight layers are then trained jointly. This hierarchical design balances semantic capacity, generation stability, and detail reconstruction while reducing error accumulation in long-sequence generation.

Music 3.0’s final audio rendering, however, goes beyond discrete tokens. At inference time, the synthesis stack does not load the discrete tokenizer’s decoding path. Instead, it fuses continuous hidden states from the final layers of the 8B Global LLM and 0.6B Local LLM, then generates audio directly through flow matching and the Flow-VAE. Compared with discrete tokens alone, these continuous features retain richer high-dimensional acoustic information, improving vocal pronunciation accuracy and the physical coherence of instrumental sound.

The 2.4B flow-matching module maps the fused language-model features into the VAE latent space. The 123M Flow-VAE inherits the MiniMax Speech architecture and is retrained for music-specific dynamic range and spectral distributions to reconstruct the final waveform. This enables the model to follow more precise instrumental directions and reproduce authentic performance techniques such as glissando and legato. Instrumental roles are more distinct within the arrangement, the low end retains impact without masking the mix, and fine sonic detail remains clear even in densely layered productions.

These improvements extend across the full range of musical expression: string attack and bowing in solo instruments, the impact of drums and bass, source separation in dense electronic arrangements, and the sense of space around the voice. Music 3.0 brings each of these elements closer to the listening experience of a fully produced recording.

用户prompt

歌词

Demo

Futuristic melodic EDM / progressive house. Reflective verses about memory and digital identity build into an uplifting, hook-driven chorus, with an emotive lead vocal, bright layered synths, pulsing bass, crisp four-on-the-floor drums, subtle glitch textures, and a wide polished festival mix.

[Verse 1]
Upload my heart to the cloud tonight
Save every spark of neon light
If this body starts to fade away
Let my code keep dancing in the data stream
Stay
[Chorus]
Cloud copy of me
Living on when these bones finally break free
Every joke, every scar
Every cheap memory we made
Save it, save it
Cloud copy of me
If the screen goes dark, I’m still in the machine
Every glitch, every dream
Every version you ever did see
Save it, save it
[Verse 2]
Tag every laugh in a secret folder
Archive the nights we outran the thunder
If the wiring turns to rust and gray
Hit restore… press replay
[Chorus]
Cloud copy of me
Living on when these bones finally break free
Every joke, every scar
Every cheap memory we made
Save it, save it
Cloud copy of me
If the screen goes dark, I’m still in the machine
Every glitch, every dream
Every version you ever did see
Save it, save it (oh)
[Bridge – new, optional but recommended]
Even the crashes, the late-night confessions
The parts of me I never learned to mention
Don’t let the silence swallow me whole
Keep a ghost in the glow…
So I never go
[Final Chorus – softer / layered]
Cloud copy of me
Still laughing somewhere in the binary
Every joke, every scar
Every moment you saved for me
Save it, save it
Cloud copy of me
When the lights go out, I’ll still be in the machine
Dancing in the code that you still believe
Save it…
Save me

Light bossa nova / Brazilian pop, 88 BPM, D-flat major. Serene and meditative, gradually growing into quiet confidence, with a clear intimate female soprano, relaxed phrasing, gentle rising hooks, soft guitar, piano, restrained bass, and delicate percussion.

I breathe in peace, the simple joy of now I honor all the wisdom that the present allows My cup is full, I have everything I need right here Surrounded by soft connections, holding love so near I give and receive freely, a beautiful, steady flow I am seen, I am cherished, loved deeply as I go.

Now the ground is firm beneath my gentle feet A powerful knowing, perfectly complete. I listen close to the inner guidance I hold true.

I am steady light, unbothered by the noise outside I am confidence, where courage loves to reside I step forward now, with clear intent and heart ablaze I move mountains gently, in a thousand patient ways I succeed now, I achieve now, the outcome is clear and bright My inner strength is my constant guiding light.

My intuition speaks softly, a wisdom that guides my way The Universe unfolds beauty, every single day Everything arrives for me, in the perfect, knowing time I trust the flow of life, a rhythm so sublime My body is resilient, strong and full of grace My spirit is vibrant, illuminating every space.

Like a river flowing, perfectly on time Every drop is necessary, a beautiful design I release all worry, all the need to rush I am brave, I am persistent, and success is in my touch. My whole being is filled with strength, glowing, alive, and free.

I am steady light, unbothered by the noise outside I am confidence, where courage loves to reside I step forward now, with clear intent and heart ablaze I move mountains gently, in a thousand patient ways I succeed now, I achieve now, the outcome is clear and bright My inner strength is my constant guiding light.

"Strong and peaceful..." "Loved and thriving..." "The perfect time is always now..." "It is done, it is complete, it is well..."

Warm healing Chinese Mandopop ballad, deep emotional with light rock elements, middle-aged mature male and female duet, mature parental voices aged around 50-70, mother sings gentle tender lead parts with warm mature soft female vocals, slightly aged timbre, wise and tender tone, father provides deep low steady supportive harmonies, rich mature male vocals, slightly weathered gravelly low register, starts with piano and lush strings opening, chorus builds gradually with drums and electric guitar layers, ends fading back to pure acoustic gentle close, heartfelt true emotion without over-dramatizing, subtle restrained Chinese-style parental love, proud yet tender unspoken encouragement, strong Taiwanese accent in vocals, emotional, sincere, warm parental perspective, builds to uplifting hopeful ending, soft whispered intimate outro like a gentle murmur calling home, nostalgic yet empowering family love song, seasoned experienced voices, no youthful bright tone

[Intro]
[Verse 1]
当她 在十岁以前
纯粹 天真的快乐
她总是 很多话
问个不停
[Verse 2]
在十 岁过了以后
就开 始有点忧愁
也变得话不多
不知道为什么

[Pre-Chorus]
她 终于 慢慢 长大
懵懂 的岁月 它 不停 歇

[Chorus 1]
她担心  这游戏
刚开始  玩不起
她担心  那游戏
刚开始  就结束
她担心  玩不起
这游戏  那游戏
这是梦 还是我
还是戏 ...
[Chorus]
她 要  努 力
也 要  放 松
她要 她 的 幸 福 ~
更要 她 的 快 乐 ~
快 ~ 乐
在三十岁  以 后
会 是  怎 样?
三十 而 立 呀
[Guitar Break]
[Bridge]
她担心  这游戏
刚开始  玩不起
她担心  那游戏
刚开始  就结束
她担心  玩不起
这游戏  那游戏
这是梦 还是我
还是戏 ...
[Chorus]
她 要  努 力
也 要  放 松
她要 她 的 幸 福 ~
更要 她 的 快 乐 ~
她 要  努 力
也 要  放 松
她要 她 的 幸 福 ~
更要 她 的 快 乐 ~
快 ~ 乐
在三十岁  以 后
会 是  怎 样?
三十 而 立 呀

[Outro]

More Natural Vocals

Vocals are often where the synthetic character of generated music is most apparent. High-frequency artifacts, rigid phrasing, unclear pronunciation, and unnatural breathing can break the listener’s emotional connection even when the song is otherwise highly polished.

Music 3.0 introduces a new audio-rendering system designed to produce more natural, studio-quality vocal performances. The Structured Caption describes vocal timbre, delivery, techniques such as breathiness and falsetto, harmony arrangement, and effects such as delay and Auto-Tune in fine detail. Continuous hidden states fused from the global and local language models carry this performance information into the flow-matching and Flow-VAE generation process. Together, these mechanisms reduce the high-frequency digital artifacts common in generated vocals while improving control over melody, pronunciation, breathing, and layered harmonies.

Vocals can respond more coherently to changes in emotion and rhythm—moving from restrained verses into expansive choruses, or from tightly articulated rhythmic delivery into sustained, open melodic lines. Harmonies unfold more naturally around the lead vocal, and breathing becomes part of the performance rather than a synthetic artifact layered around it.

用户prompt

歌词

Demo

Acoustic bossa nova / folk, 88 BPM, F-sharp major. Serene, pastoral and playful, with buoyant choruses, a breathy honeyed female soprano, relaxed speech-song phrasing, fingerpicked acoustic guitar, warm bass, light percussion, and a soft lingering fade.

[Verse]
Blue sky whispers don\'t be late
Green grass stretches like a plate
The sun is winking through the trees
A day like this is made to tease

[Chorus]
Blue sky green grass sunny day
Let the world spin the other way
No need to run no need to stay
Just blue sky green grass sunny day

[Verse 2]
Birds are laughing high and wide
Clouds are playing seek and hide
I feel the breeze it tells a joke
The kind that lingers when it\'s spoke

[Chorus]
Blue sky green grass sunny day
Troubles fade like shadows play
Dance with time let it delay
Just blue sky green grass sunny day

[Bridge]
No map no plan no ticking clocks
Barefoot feet on skipping rocks
Catch the air hold it tight
This is ours this feels right

[Chorus]
Blue sky green grass sunny day
Let the worries float away
The world can wait come what may
Just blue sky green grass sunny day

Upbeat funk / contemporary R&B with a glossy nu-disco edge. Playful, nocturnal verses glide into a celebratory dance-floor chorus, with a smooth soulful lead vocal, elastic bass, syncopated rhythm guitar, bright keys, crisp drums, neon synth accents, and a warm spacious club mix.

( intro )

(Verse 1)
Neon shadows on the avenue tonightTaxi horns and people passing in the lightThe rhythm of the street begins to playAnd every heartbeat’s dancing anyway

(Pre-Chorus)
Footsteps echo down the boulevardA thousand stories written in the dark

(Chorus)
Boogie in the city lights tonightFeel the rhythm glowing neon brightEvery heartbeat moving to the soundLost and free while the world spins aroundBoogie in the city lights so wildWhere every stranger dances like a childIn the glow where the midnight ignitesWe’re alive in the city lights

(Verse 2)
Windows shining like a million starsMusic drifting softly from the barsEvery corner hides a melodyAnd every dream feels closer to be free

(Pre-Chorus)
Streetlights flicker like a disco ballThe night is calling, hear the music call

(Chorus)
Boogie in the city lights tonightFeel the rhythm glowing neon brightEvery heartbeat moving to the soundLost and free while the world spins aroundBoogie in the city lights so wildWhere every stranger dances like a childIn the glow where the midnight ignitesWe’re alive in the city lights

(Bridge)
The skyline sways like a moving seaAnd the night keeps singing endlesslyFrom rooftop highs to subway beatsThe whole wide city’s dancing in the streets

(Final Chorus)
Boogie in the city lights tonightLet the darkness turn to shining lightEvery dream is burning in the airAnd the music’s everywhere we stareBoogie till the sunrise paints the skiesWhile the rhythm never says goodbyeIn the glow where our hearts uniteWe keep dancing in the city lights

( outro )

Warm pop rock / soul, 88 BPM, B-flat major. Intimate reflection swells into an empowering anthem of self-worth, led by a seasoned female alto with a velvety light rasp, analog-warm guitars, steady drums, soulful keys, reassuring hooks, and wide cinematic choruses.

Your face is in the mail
You left it here 
Forgot all about it 
As you packed your gear 
I know you don’t
Want to hear this 
But 
I really don’t think 
You need it 

You look in the mirror 
You don’t like what you see 

You can’t leave home 
Without it 
You’re beautiful 
I’m telling you 
But 
You just don’t believe 
Me anyway

You look in the mirror 
You don’t like what you see 

You just think I’m saying it 
Because I’m your mum 
But really 
It’s a fact 
You don’t need that 
Make up 
Love 

You look in the mirror 
don’t like what you see

In that way
You’re just like me 
When I was so much younger
I didn’t like me either 
So I just looked away 
Couldn’t face a mirror 
without a frown
Hated my own features 
Couldn’t see a redeeming
Thing in there

I looked in the mirror 
I didn’t like what I saw 

So you’re just like your mother 
Just like any other 
Teenager out there 
It’s all the same nowadays 
Everybody wants to be 
Perfect 
Nobody feels they’re worth it 
Everybody needs to see that 
We can’t all be beauty models 

We all look in that mirror 
Nobody likes what they see

But

We are all beautiful 
On the inside 
Our hearts and souls 
Are what we need to show
That essence within 
Needs to be seen 
True beauty shines within…

From creative intent and song structure to local acoustic detail and final audio rendering, Music 3.0 advances music generation from producing plausible audio to realizing a complete, coherent creative vision. We look forward to hearing what you create.